Valerie Estvan Arnold's paintings exhibited in the
Walter McNamara Gallery give the audience a glimpse into
"Nevada's geological past."
Her seven-piece collection, "Outcroppings," focuses on
different details, lighting, and backgrounds of Nevada
landscapes and mountain
formations.
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Landscapes: Valerie Estvan Arnold's
"Outcroppings" show the geological formations of
Nevada's mountains
Photo by
Brad Horn
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When standing back from her work, Arnold's paintings
seem loose with movement. But directly looking at her
"Outcroppings" the detailed jagged rocks cut into the
steel-blue sky surrounding it, with harsh skin-tone,
orange, red, purple and brown brush stokes.
In her first piece "Outcropping 1", Arnold an advanced
painting student at the university, uses light and shadow
well. Greens, browns and blacks detail the shadow in the
underbelly of the rock. The rock shoots out the side of
the mountain into the skin-tones with hints of orange and
red that paint the sky.
Arnold's uses a pink sky to accentuate the rock's
forest-green, purple, black and brown shadow in her
piece"Outcropping 2.
Her technique of using stark contrasts to create
emotion and texture in her paintings is effective. She
blends her dark colors as well as the lighter ones to
create contrast that adds detail to her work. This gives
a good perspective to the light and shadow cast over her
images. All her works of art keep the audience interested
because of the different angles and moods she uses and
creates.
Soft brush strokes of pinks, reds and oranges lead the
eye into the darker greens, blacks, browns and purples
that are blended to create the soft spikes of the
cresting mountains in "Outcropping 3." Arnold uses soft
light to lure the eye between the front and back of this
painting.
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Light and Shadow: Arnold uses blurred
backgrounds to highlight the centerpieces of her
work--the rock formations.
Photo by
Brad Horn
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Arnold's four large paintings allow the audience a
deeper glance into the landscape of her images.
"Cliff Rock" focuses on a sharp rock protruding out
the side of a mountain. The viewer feels like they are
standing on the side of a hill, looking off into the
barren land.